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Sketching Shots in Psycho.

Sketching Shots in Psycho.

ANSWER

To sketch two to three consecutive shots illustrating the editing strategy in “Psycho,” you can follow these steps:

  1. Select the Scene: Choose a specific scene from the film that showcases the editing strategy you want to analyze. Since you mentioned rhythmic editing, focus on a scene where the cuts between shots create a distinct rhythm.
  2. Storyboard the Shots: Watch the selected scene carefully and note the sequence of shots. Pay attention to the composition, camera angles, and movements within each shot.
  3. Create Simple Sketches: Based on your observations, create simple sketches of each shot. You can use stick figures to represent characters, basic shapes for objects, and arrows to indicate camera movement or character motion. Label each sketch with shot numbers (e.g., Shot 1, Shot 2, etc.).
  4. Analyze the Editing Strategy: In your written analysis, describe the editing strategy used in these consecutive shots. Consider aspects such as continuity or discontinuity editing, spatial and temporal relations, graphic composition, and the rhythm created by the cuts.
  5. Discuss Significance: Explain the significance of these shots within the context of the editing strategy. Discuss how the editing choices enhance the viewer’s understanding of the narrative, create tension, or convey emotional states.

Here’s an example of how you might write about two consecutive shots:

Shot 1: In this shot, we see Marion Crane (represented by a stick figure) in the shower. The camera is positioned above, looking down at her. The use of high-angle framing creates a sense of vulnerability and isolation. The water is represented by wavy lines to convey the running shower. The editing here is rapid, with quick cuts between frames, creating a sense of urgency and disorientation. This illustrates the use of rhythmic editing to build tension.

Shot 2: The next shot shows the shower curtain being pulled back (again, represented by a stick figure hand pulling a curtain). This shot is a close-up, focusing on the curtain, creating spatial discontinuity from the previous shot. The abrupt cut from the previous shot to this one adds to the suspense. The hand pulling back the curtain creates a moment of shock as we anticipate what will be revealed behind it. This is an example of how the editing strategy creates graphic and temporal discontinuity for dramatic effect.

In your analysis, you can elaborate further on the significance of these shots in building suspense and how they contribute to the overall editing strategy in “Psycho.”

Sketching Shots in Psycho.

QUESTION

Description

Hitchcock, A. (Director). (1960). Psycho [Film]. Shamley Productions.

Please use the following link as a reference only do not include it in the references page that provides insight on  how rhythmic editing was used in the interaction between the detective and Norman.

https://popcultureuncovered.com/2016/04/08/psycho-…

Also, the following video does a nice job of explaining the difference between the shot and scene is:

I have provided a youtube video of the scene from the film that I would like you to sketch two-three consecutive shots from. Stick figures, labels, basic sketches, and arrows will be great 🙂 It is a great example of rhythmic editing. 

6. Editing relations between two or three consecutive shots. Identify, draw and analyze two or
three shots that illustrate a dominant editing strategy in the film and discuss the significance of
these shots for that editing strategy (continuity or discontinuity editing; spatial, temporal,
graphic, and/or rhythmic). For this response must draw the shots rather than use stills
from the film. (about half page of text).

Requirements: Draw 2-3 consecutive shot sketches based on the video from the 1960 version of the Psycho film + Write about a half a page of text  

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